Nevermind Watchdown: S28E07, or I JUST GOT THAT!

Onto yet another Series 28 Buzzcocks. This series is making a case for one of the best full-season showings in the show’s history, going up against Series’ 4, 5 and 20. How the hell is this happening at the very end of the run?

They managed to put together some more really nice panelists, too- Lethal Bizzle, who was really game the last time he was on, Sarah Millican, who’s always fun, Michael Ball, now sporting a goatee, who knocked two episodes out of the park, and Gemma Cairney, representing Buzzcocks’ occasional inclination to just have a TV presenter and DJ on every once in a while.

You can tell this is gonna be a fun one when Rhod cracks up literally as he’s doing his opening standup. He’s already kinda gone, and nothing’s happened yet.

This week’s Rhod-improved round clip is “Workin'” “NINE” “to 5…”
Rhod, afterwards: “…that was that…”
and then he breaks. Again.

Among his pre-round suggestions are ‘Do Steps now come ’round and help old people get into swimming pools? Did Hall and Oates later develop a cereal for people too busy to eat in the kitchen?”

One of the options for ‘What is Vanilla Ice doing now’ is that he’s become a motivational speaker, who’s even done a TED talk, entitled ‘Stop, Collaborate and Listen’.
Michael: “…I just got that…”
Rhod: “You don’t need to tell us when you get it, just laugh…”

Rhod, to Michael: “Have you got chandeliers in your house?”
Phill, who KNOWS the guy: “HE’S GOT CHANDELIERS IN HIS *CAR!*”
Rhod: “He’s got chandeliers in his underpants!”
Phill, taking the easy joke: “Yeah, plenty of ball room…”
Michael, post-applause: “..OH! I JUST GOT THAT!”

Michael reveals that all of his characters have to smell a certain way.
Sarah: “Have any of your characters ever smelt of fart?”
Michael: “Well-”
Phill: “That was a very memorable Les Miserables…”

Gemma: “I went to a panto once, and the Cinderella let out a fart that everybody could hear.”
Rhod, taking the one good panto joke: “Did you yell ‘IT’S BEHIND YOU’?”

Rhod, after the fart digression: “…I’m not sure if you’ve remember that we’re on television, sorry…”
Michael, breaking, to Noel: “I can’t believe I’ve just done that!”
Rhod, trying, rightfully, to get the game back on track: “What do we think about Vanilla Ice?”
Michael: “Aw, who cares?”
Rhod, under applause: “‘Who cares, let’s have a farting competition!”

There’s a great moment where Phill keeps trying to get Sarah to do ‘both parts’ of the Dion/Streisand song, by singing one of the parts. Phill gets a lyric wrong…then Sarah gives him the right lyric…then MICHAEL gives them BOTH the correct one. It’s hysterical.
Michael: “If you’re gonna do musical theatre, GET IT RIGHT!”
Rhod: “Oh, look at that, Michael Ball is turning in his live grave…”

Lethal, deliberating the Public Enemy question: “I dunno, mate, I’m stuck between the monks and the ostrich…”
Phill: “And we’ve all been THERE…”

Rhod, opens up, for a bonus point, and asks what everyone on the panel did before becoming famous.
Phill: “…Michael Ball used to kill people for the Corleones..”
Michael: “DAMN!”
Phill: “I’ve said too much…”
Rhod: “His weapon of choice…the bum-trumpet.”

One of the options is that somebody did erotic fiction
Phill: “I can imagine Millican doing that. ‘OOH, AND THEN HE ‘ELD EM…WITH ‘IS BEEG….MEATY HANDS….and he…TOOK ME OUT FER OUR SUPPAH…”
And then Phill AND Sarah absolutely break. My gosh.
Sarah: “…You’re right, all of my eroticism was based on food…”
Noel: ‘Every word in Geordie sounds funny. ‘POOUULSAAATIN'”

And then Phill AND Noel start attacking Rhod while still using the Sarah Millican erotic voice. AND THEN…THEY START BEATING DOWN ON RHOD’S BALL-BONGOS!

I’ll say that the bongos subscribe to the law of diminishing returns, but it’s still pretty damned funny whenever they’re rolled out.

AND THEN…Rhod gets everybody to read excerpts of the steamy adult fiction. Gemma’s given a very funny passage. Michael, complete with reading glasses, tries reading his without cracking up, but Phill just starts licking his ear. Michael, whilst reading, just side-eyes Phill, to make sure this is all really happening.

Lethal, reading his: “She ran her hands up and down his shaft.”
Phill, taking this the wrong way: “SHAFT!”

And then, as they hand the book off to Sarah, Phill goes ‘this is the one we’ve all been waiting for…”

Sarah: “…Clive…”
The whole room breaks EVEN HERE. DEAR GOD.
Sarah: “I’VE ONLY SAID ONE WORD.”

Lethal says that working in the file factory gave him a phobia of Sophie Ellis Bextor.
Rhod, with the button in hand: “And if he hears her music one more time, he’ll kill himself.”
They’ve pulled back. We all know what’s about to happen.
[music plays in]
Lethal: “….TURNITOOOOOOOOFFF!”

Lethal and Phill’s intro combo is really nice, and they do a really good version of Easy Lover by Phil Collins. Again, Lethal’s just really happy to be here, and just throws himself headfirst into everything.

Phill, on Michael and Noel getting up for intros: ‘LADIES AND GENTLEMEN, KENNY ROGERS AND ALICE COOPER…”
Both of them die laughing at this one. Phill’s having a career show
And then Michael leads Noel in a brief rendition of ‘Islands in the Stream’

And then, of course, Noel and Michael are great at intros. I would have preferred pairing him with Phill again, but he works well enough with Noel that it’s not a problem.

We have the THIRD CONSECUTIVE GARLICKING in ID Parade. Big Ben Ofoedu, from Phats and Small, who was on a bunch of times, is in the lineup tonight. Just like last time, Noel’s team has to locate him solely on his voice.

Gemma seems to think it’s #3, when..it’s pretty obvious that it’s 4. Gemma even says she wants 3 on her show every day, but when #4 pops out, Gemma just drops.

Rhod, to the real Buddy Ascott: “You’ve played with the Clash, the Buzzcocks, Ronnie Wood.”
Buddy: “Yeah…not all the same night, but…”

Instead of Next Lines (!!!!!!!), Rhod intros a ‘DENCH NEW ROUND’ called Brand or Band, where the panel has to determine whether a name is of a band or a brand. Seems fine enough.

I don’t think this round worked as well as Rhod wanted, as they barely got any in due to time. Other than lamp shading that Pork Queen is Sarah Millican’s nickname, not a ton happened.

Overall: Another truly strong Buzzcocks, possibly better than the last two. It helped that the ‘jobs’ round got everyone out of control, and led to Sarah Millican (and everyone) reading adult lit, but Gemma and Lethal had some really nice moments, Sarah was herself, and Michael Ball possibly had a show better than his last two. The slight deviations from format worked, and it was just a very loose, very fun show.

Best Regular: Phill
Best Guest: Michael
Best Runner: Michael farting.

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